To Anyone Who Ever Asks

When musician and New Yorker contributor Howard Fishman first heard Connie Converse's voice, he was convinced she could not be real. Her recordings were too out of place for the 1950s to make sense - a singer who bridged the gap between traditional Americana and the singer-songwriter movement that exploded a decade later with Bob Dylan and Joni Mitchell. Howard was determined to know more about this artist and how she slipped through the cracks of music history but there was one problem: in 1974, at the age of fifty, Connie simply drove off one day and was never heard from again. After a dozen years of research, Fishman expertly weaves a narrative of her life and music, and of how it has come to speak to him as both an artist and a person.